Inktober is a world-wide challenge to help you improve your drawing skills. Each year a new “prompt list” is posted with a different word each day to guide you in your daily creation. It doesn’t need to be big, or fancy, just fun and a stress-free as possible. The rules are simple, pick up a pen (or marker, or brush, or anything ink related), and draw. No skill required – you can even draw with your toes if you really want to.
Here at the Gallery, we have created our own “prompt list” with words relating to Homer Watson, his sister Phoebe, and their history. Feel free to join in on the fun. You can draw everyday, or just pick and choose which days you want to draw. We will be posting artwork of any participants (including some of our staff) here on this webpage, so make sure to visit often.
To learn more about the Official Inktober rules, visit their website here.
The shining moon in Homer Watson’s nocturnes offers a sense of mysteriousness.
Doon was a very rural area during Homer Watson’s life. He was very interested in capturing the ways that humans interacted with nature – so farmland, fields, and harvests are all subjects that appear in his paintings.
Homer Watson’s top hat was most likely purchased in England, and has a maker’s mark from the company Henry Heath Ltd. It would have been worn on formal occasions and is embossed with the initials “HW” in gold.
Homer Watson believed that nature was a powerful force that should be respected. This belief is reflected in his many paintings of stormy scenes.
“Another rumble and the storm was upon me. I packed my kit and started toward the mill. The thunder boomed along the black horizon. Strident detonations rolled grandly out and shook the vault of heaven.” – Homer Watson
Homer’s little white dog named Terry followed him around Cressman’s Woods, the studio, and all over Doon. The pup was also photographed getting plenty of cuddles from Mary Watson.
It’s easy to find cows dotting the landscapes of Homer Watson’s paintings – grazing, watering in rivers, and laying in the fields.
“In the village of seven dams many were the stories that went around about Homer ‘sittin’ in the house paintin’ nothin’ but the backsides of cows while other people worked’”. – Jane Van Every.
In the 1920s, there once was a legend of the “Sea Monster of Doon”, where many residents of the village spotted what appeared to be a snake-like creature floating down-river. It turns out that after much bickering, it was discovered the monster was actually bits of run-off from a local mill.
Phoebe Watson had a cottage on Lake Huron, in Oliphant Ontario. She often took trips there to paint watercolour landscapes and brought her art students to practice there as well.
Many poems were written about Homer Watson, and many of his works were inspired by his favourite works of poetry. Phoebe Watson was a poet herself, and often wrote them for her friends.
Roxa Watson’s family and guests were fans of her cooking. She provided many delicious meals at gatherings.
“Aunt Roxy was a lovely hostess and a very good cook. Uncle Homer always stood to carve at the head of the table, and Aunt Roxy served vegetables at the other end of the table.” – K. Fromm
Phoebe Watson was a lover of plants and flowers. She grew a variety of them in her garden and was even said to have set up her flowerbeds in the shape of an artist’s palette.
Phoebe Watson held many parties at the Watson House, many of which were tea parties. She not only enjoyed being a hostess, but also painted her own designs onto porcelain tea sets – including teacups, milk pitchers, and sugar bowls.
Homer Watson’s travels took him to both the Adirondack mountains in New York and out to the Canadian west to see the Rockies. Though trees are perhaps his favourite subject in nature, his mountains are majestic as well.
“Those mountains bowled me over. I hope my age and creaking heart muscles don’t throw the ideas out when I start those pictures.” – Homer Watson
As a member of the Grand River Canoeing Club, Homer Watson took many trips out on the water. His official role in the club was as the “Vice Commodore”.
The wicker rocking chair on display in the Watson Studio was likely owned by Phoebe Watson. There are many photographs of Homer lounging in a rocking chair, and Phoebe often depicted her mother knitting while seated in one in her artwork.
Phoebe was a woman of many talents. Beyond being an artist, poet, and teacher, she also worked for a time as a seamstress and dressmaker.
“Oh Roxa when I read about you thinking of sending me a green dress it made me smile as I have two over. I made my old green silk over with watered silk in a lighter shade […]” – Phoebe Watson
Sheep are another animal which are often found roaming around Homer Watson’s landscapes. When Watson travelled in England, he wrote to the Marquis of Lorne, who he had sold a painting to earlier in his career – asking if he could touch up the sheep in the piece.
“I hope to get up to your studio to thank you for your ‘transmogrification’ of the sheep. They look much better, and are very proper sheep now with all the stiffness taken out of them, and lots of wooliness put in!” – The Marquis of Lorne
As a boy, Homer Watson got in trouble at school for drawing caricatures of his teacher Mr. Burkholder.
A disastrous flood that broke the dam of the Doon Mills was the inspiration for Homer Watson’s The Flood Gate, which is considered to be one of his greatest works. The flood was so powerful that Adam Ferrie, who owned the mill at the time, referred to it as “The Judgement of God”.
Homer Watson recalls seeing a vision of the ghost of his wife Roxa after she passed.
Mills frequently appear in Homer Watson’s artwork. One of his most famous pieces, The Pioneer Mill, was inspired by his grandfather’s sawmill.
“He would stand for hours watching the water rush over the dam, noting the whiteness of the foam, then go back to his painting.” – Jane Van Every
The Doon Train Station was where the Watsons most often started their journeys. Toronto was a frequent stop, where Homer held many exhibitions and Phoebe took art classes.
On their 25th anniversary, Homer Watson had a necklace made for his wife Roxa.
Homer Watson was apparently a musician as well as an artist. A piano was said to sit in their living room, which Homer apparently played until his hearing left him.
The Grand River was a great inspiration to Homer Watson. He didn’t just create many paintings of it, but also made several canoeing trips across its waters.
Homer Watson used many different types of brushes and brush techniques in his paintings. His artistic style changed over the course of his life, from small and detailed brush strokes in his early works to the heavy impasto of his late period.
As a practitioner of Spiritualism, Homer Watson participated in seances where he attempted to communicate with the spirits of the deceased.
Homer Watson loved trees. When Cressman’s Woods was threatened with sale to the owner of a sawmill, Homer and a group of like-minded individuals gathered together to buy it instead – wanting to preserve its natural beauty. Today, Cressman’s Woods is known as Homer Watson Park.
In several photographs and in a portrait painted by Phoebe, Homer can be seen smoking using a pipe.
Phoebe Watson grew more than flowers in her garden and had many fruit trees. She grew apples, pears, plums, and grapes.
The Doon Presbyterian Church was built in 1854, and part of the Christian Schneider farm was purchased for use as a community cemetery. Homer Watson and many of his family members are buried there, as well as several interesting figures from the history of Doon.
Homer Watson House & Gallery acknowledges that it is located on the traditional territory of the Attawandaron (Neutral), Anishnaabeg,
and Haudenosaunee peoples; land promised to Six Nations, six miles on each side of the Grand River.
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The Loch Doon area was memorialized in celebrated Scottish poet, Robert Burns piece “Ye banks and braes O’ bonnie Doon”
Ye banks and braes o’ bonny Doon,
How can ye bloom sae fresh and fair?
How can ye chant, ye little birds,
And I sae weary fu’ o’ care?
Thou’lt break my heart, thou warbling bird,
That wantons thro’ the flowering thorn:
Thou minds me o’ departed joys,
Departed, never to return.
Aft hae I rov’d by bonnie Doon,
To see the rose and woodbine twine;
And ilka bird sang o’ its love,
And fondly sae did I o’ mine.
Wi’ lightsome heart I pu’d a rose,
Fu’ sweet upon its thorny tree;
And my fause lover stole my rose,
But, ah! he left the thorn wi’ me.